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A.A., B. (2020). Representation of the Memory in the Exhibitions of the Museum of Naive Art. KnE Social Sciences, 4(5), 178–182. https://doi.org/10.18502/kss.v4i5.6539

https://doi.org/10.18502/kss.v4i5.6539

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authors

  • Bobrikhin A.A.

    Bobrikhin A.A.

    PhD of Philosophy, Department head, Art Museum, Yekaterinburg, Russia

Published Date

  • Mar 3, 2020

Representation of the Memory in the Exhibitions of the Museum of Naive Art

KnE Social Sciences / International Scientific Conference – "Man in the world of culture: problems of science and education" / Pages 178–182

Abstract

The article deals with the main exhibition projects of the Museum of Naive Art of Yekaterinburg in 2018. In studies aimed at designing the contents of the museum narrative, the creators of the expositions rely on “naive ego-history” as an important source and resource. We reveal the narrative potential of previously excluded forms of artistic reflection of historical processes, sensations of the destinies of the homeland and the people, embodied in artistic images.


Keywords: naive art, oral history, exhibition, text of the artist

References
[1] A. Assman, Long shadow of the past: Memorial culture and historical politics/ translated from German by B. Khlebnikov. Moscow: New literary review, 2014.

[2] E. Bartsev, Confession of an old man. A cry from the heart. Handwritten manuscript/A. Bobrikhin’s personal archive. 2011.

[3] A. Bobrikhin, “Shalom!” Isometry, no. 15, 2018.

[4] L. Olson, S. Adonyeva, The worlds of Russian village women: Tradition, transgression, compromise. Moscow: New Literary Review, 2016.

[5] M. Halbwachs, Social framework of memory (Les Cadres sociaux de la mémoire). Moscow: New publishing house, 2007.