Creativity Through Kendi Creation
Abstract
Kendi is a traditional tool that has existed in Indonesia since 2000 BC. Hence, it is essential to preserve Kendi in order to maintain the craft’s rich history and culture in Indonesia. Currently, kendi preservation is particularly carried out by art students. In its preservation, creativity plays a crucial role when developing ideas for creating kendi made by art students. This study examined the role of student imagination in the development of a kendi craft. This study is qualitative research. The findings revealed that the Kendis monotonous shape can be developed into a variety of shapes, resulting in a unique shape and improving its novelty value. Even though the kendi’s shape has altered, it can still be utilized as a water storage container. Kendi can be used to stimulate students’ imaginations into making a piece of art since numerous types of creative and innovative kendi are generated through this imagination.
Keywords: art education, jug, imagination, art work
References
[1] Wahyuningsih N. Keberadaan Kendi Melikan. Surakarta: ISI; 2013.
[2] Adhyatman S. Kendi. Jakarta: Jayakarta Agung Offset; 1987.
[3] Rooney DF. Kendi in the Cultural Context of Southeast Asia A Commentary. SPAFA Journal (Old series 1991-2013). 2003;13(2):5-16.
[4] Winata G. Kendi Indonesia: bentuk dan tradisi. Jurnal Sosioteknologi. 2019;18(3):528- 42.
[5] Miksic JN. Introduction. Miksic JN, editor. Earthenware in Southeast Asia: proceedings of the Singapore symposium on premodern Southeast Asian earthenwares. Singapore: NUS Press; 2003.
[6] Mustaqin K, Wahyuningsih N. Kendi Sebagai Pendukung Kebudayaan Nusantara. ATRAT: Jurnal Seni Rupa. 2015 Sep 25;3(3).
[7] Santoso S. Prehistoric Earthenware of Indonesia. Miksic JN, editor. Earthenware in Southeast Asia: proceedings of the Singapore symposium on premodern Southeast Asian earthenwares. Singapore: NUS Press; 2003.
[8] Wijayanti L, Sabana S. Proses Kreatif Konsep Penciptaan Bentuk: (Studi kasus: Kemben, Pakaian Adat Perempuan Jawa, Penari Jawa). JSRW ( Jurnal Senirupa Warna). 2017;5(1):45-57.
[9] Finn E, Wylie R. Collaborative imagination: A methodological approach. Futures. 2021;132:102788.
[10] Pendleton-Jullian AM, Brown JS. Design Unbound: Designing for Emergence in a White Water World, Volume 2: Ecologies of Change. Cambridge: MIT Press; 2018.
[11] Belfi AM, Kasdan A, Tranel D. Anomia for musical entities. Aphasiology. 2019;33(4):382-404.
[12] Vartanian V. Powering Through Your Quarter Life Crisis. The Muse [Internet]. 2020 Nov 23. Availabel from: https://www.themuse.com/advice/powering-throughyourquarterlife- crisis
[13] Damayanti C, Engliana E. Seni, Sastra, dan Imajinasi untuk Pengembangan Emosi dalam Pandangan Martha Nussbaum. Jurnal Filsafat. 2022;32(2):223-54.
[14] Ponimin P, Widodo T, Nusantari OA. Pengembangan Desain Gerabah Tradisional Sentra Pagelaran Malang Dengan Teknik Aplikasi Serat Alam Melalui Program Kemitraan Masyarakat. Imajinasi: Jurnal Seni. 2019;13(2):65-74.
[15] Adiputra K, Suardina IN, Mudra IW. Inovasi Kerajinan Gerabah I Wayan Kuturan Di Desa Pejaten Kecamatan Kediri Kabupaten Tabanan Provinsi Bali. Prabangkara: Jurnal Seni Rupa Dan Desain. 2018;22(2):127-37.
[16] Aprilia H, Ponimin P, Sidyawati L. Seni Keramik Gerabah Sentra Bumijaya Serang: Studi Proses Produksi dan Desain Ragam Hias Gerabah Berciri Khas Banten. JoLLA: Journal of Language, Literature, and Arts. 2022;2(4):561-81.
[17] Gustami SP. Butir-butir Mutiara Estetika Timur: Ide Dasar Penciptaan Seni Kriya Indonesia, Yogyakarta: Prasista; 2007.
[18] Kelly S. Qualitative interviewing techniques and styles. Bourgeault I, Dingwall R, de Vries R, editors. The Sage Handbook of Qualitative Methods in Health Research. Thousand Oaks: Sage Publications; 2010.
[19] Palinkas LA, Horwitz SM, Green CA, Wisdom JP, Duan N, Hoagwood K. Purposeful sampling for qualitative data collection and analysis in mixed method implementation research. Administration and policy in mental health and mental health services research. 2015;42:533-44.