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Ahmadi, Y., Pamadhi, H., & Kasiyan, K. (2021). The Sacrality of Wayang Beber Remeng Mangunjaya: Roland Barthes’s Semiotics Study. KnE Social Sciences, 5(3), 380–386. https://doi.org/10.18502/kss.v5i3.8560

https://doi.org/10.18502/kss.v5i3.8560

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authors

  • Yusuf Ahmadi

    Yusuf Ahmadi

    Universitas Negeri Yogyakarta, Sleman
  • Hadjar Pamadhi

    Hadjar Pamadhi

    Universitas Negeri Yogyakarta, Sleman
  • Kasiyan Kasiyan

    Kasiyan Kasiyan

    Universitas Negeri Yogyakarta, Sleman

Published Date

  • Mar 1, 2021

The Sacrality of Wayang Beber Remeng Mangunjaya: Roland Barthes’s Semiotics Study

KnE Social Sciences / International Seminar on Language, Education, and Culture / Pages 380–386

Abstract

Wayang Beber is inseparable from the Indonesian people’s journey as they embrace the Hindu, Buddhist, and Islamic cultures. This performing art show is an embodiment of acculturation between Hinduism, Buddhism, Islam, and Javanese. Wayang Beber Kyai Remeng Mangunjaya is a type of Wayang Beber found in This article discusses how the semiotics of Roland Barthes can be used to reveal the significance of the Wayang Beber Remeng Mangunjaya. Through this study, the author examines the denotative and connotative meanings of the Wayang Beber. The results show that the denotative meanings are defined based on the puppet’s history and how the sacred Wayang Beber Remeng Mangunjaya is obtained. Contrastingly, the connotative meanings are expressed through visual and narrative terms.


Keywords: Wayang Beber Remeng Mangunjaya, semiotics, performing arts

References
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[2] Gadamer, H. G. (2004). Kebenaran dan Metode, terj. Ahmad Sahidah. Jogjakarta: Pustaka Pelajar.

[3] Moleong, L. (2017). Metode Penelitian Kualitatif. Bandung: PT. Remaja Rosdakarya Offeset.

[4] Palmer, E. R. (1969). Hermeneutics Interpretation Theory in Schleiermacher, Dilthey, Heidegger, and Gadamer. Evanston: Northwestern University Press.

[5] Kartika, S. D. (2004). Seni Rupa Modern. Bandung: Rekayasa Sains.

[6] Susanto, M. (2011). Diksi Rupa. Yogyakarta: Dicti Art & Djagat Art House.

[7] Suharyono, B. (2005). Wayang Beber Wonosari. Wonogiri: Bina Citra Pustaka.

[8] Tabrani, P. (1982). Meninjau Tata Ungkapan Bahasa Rupa dari Wayang Beber, sebuah Media Rupa Tradisional yang Langka, dari Telaah Tata Ungkapan Bahasa Rupa Media Rupa Rungu Modern. (A research report). Bandung: Institut Teknologi Bandung.