Avant-garde in the Process of Transforming Anthropological and Ontological Artistic Myth-making of Modernity (19–20 centuries)

Abstract

The attempts to disclose some unity of human existence and being in European culture of modern times are characterized by the disillusionment with regard to the opportunities provided by the mainstream forms of cultural endeavor (cognition, religion and morals). The major projects in the 19

References
[1] Bakhtin, M.M. 1979. “Аvtor i geroj v ehsteticheskoj deyatel’nosti” [Author and Hero in Aesthetic Activity]. Ehstetika slovesnogo tvorchestva. Moscow: Iskusstvo.


[2] Belyj, А. 1994. Simvolizm kak miroponimanie [Symbolism as a World View]. Moscow: Respublika.


[3] Berdyaev, N.А. 1989. “Smysl tvorchestva” [The Meaning of the Creative Act]. Filosofiya svobody: Smysl tvorchestva. Moscow: Pravda.


[4] Berdyaev, N.А. 1994. ”Smysl tvorchestva” [The Meaning of the Creative Act]. Filosofiya tvorchestva, kul’tury i Iskusstva. Vol. 1. Moscow: Iskusstvo.


[5] Bogdanov, А.А. 1990. “Programma kul’tury” [Cultural program]. In Voprosy sotsializma (stat’i raznykh let). Moscow: Politizdat.


[6] Eco, U. 2005. Istoriya krasoty [History of Beauty]. Moscow: Slovo.


[7] Gumbrecht, H.U. 2006. Proizvodstvo prisutstviya: chego ne mozhet peredat’ znachenie [Production of Presence: What the Meaning cannot Convey]. Moscow: Novoe literaturnoye obozrenie.


[8] Iampolski, M. 2007. Tkach i vizioner: Ocherki istorii reprezentatsii, ili o material’nom i Ideal’nom v kul’ture [Weaver and Visionary: Essays on the History of Representation, or Material and Ideal in Culture]. Moscow: Novoe literaturnoye obozrenie.


[9] Ivanov V.I. 1909. Simvolika ehsteticheskikh nachal (Symbolics of Aesthetic Principles). Po zvezdam (Pilot Stars). St. Petersburg.


[10] Ivanov V.I. 1995. “Lik i lichiny Rossii” [Face and Guises of Russia].In Ehstetika i literaturnaya teoriya. Moscow: Iskusstvo.


[11] Literaturnye manifesty zapadno-evropejskikh romantikov. 1980. [Literary Manifestoes of Western European Romantics]. Moscow: Izd-vo Moskovskogo universiteta.


[12] Makke, А. 1996. “Maski“ [Masks]. In Sinij vsadnik. Moscow: Izobraz. iskusstvo.


[13] Malevich, K.S. 1995a. “K voprosu izobrazitel’nogo iskusstva“ [To the Matter of Figurative Art]. Malevich K.S. Sobranie sochinenii. Vol. 1. Moscow: Gileya.


[14] Malevich, K.S. 1995b. “Ot kubizma i futurizma k suprematizmu” [From Cubism and Futurism to Suprematism]. Malevich K. S. Sobranie sochinenii. Vol. 1. Moscow: Gileya.


[15] Malevich, K.S. 1995c. “Suprematizm“. Sobranie sochinenii. Vol. 1. Moscow: Gileya.


[16] Marion, J.-L. 2010. Perekrest’ya vidimogo [The Crossing of the Visible]. Moscow: Progress-Traditsiya.