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Kuzmina, E. V. (2018). Representation of Western and Eastern Culture in Hayao Miyazaki Animation. KnE Engineering, 3(8), 33–35. https://doi.org/10.18502/keg.v3i8.3603

https://doi.org/10.18502/keg.v3i8.3603

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authors

  • E V Kuzmina
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Published Date

  • Dec 23, 2018

Representation of Western and Eastern Culture in Hayao Miyazaki Animation

KnE Engineering / Facets of Culture in the Age of Social Transition Proceedings of the All-Russian Research Conference / Pages 33–35

Abstract

The article explores representation of Western and Eastern Culture using an example of Japanese animation of Hayao Miyazaki. By analyzing Miyazaki’s main images and techniques, the author shows the complexity and ambiguity of transcultural processes that, in turn, demand an expansion and revision of the main concepts of cross-cultural interaction.


 


 


Keywords: Japanese animation, Eastern culture, Western culture, intercultural dialogue, interpretation, adaptation

References
[1] Elizaveta, V. Chto nado znat’, chtob ponimat’ Miyadzaki. Retrieved from https:// arzamas.academy/mag/359-miadzaki (accessed on March 10, 2018).


[2] Tagao, S. (1988). Kino Yaponii. Moscow: Raduga.


[3] Shunsuke, S. Tema prirody v mirovozzrenii Hayao Miyazaki – vzglyad skvoz’ prizmu panaziatizma. Retrieved from http://miyazaki-ru.livejournal.com/763399. html (accessed on March 11, 2018).