The Cultural Phenomenon of Artworks in Hot Enamel Technique

Abstract

The article explores the phenomenon of the emergence of artistic enamel as a medium for standalone easel works during the Soviet and later Russian period in contemporary Russian history, tracing the historical development of this art throughout several decades of the twentieth and twenty-first centuries and explores its origins and perspectives. The work of outstanding Russian enamel artists, founders of different schools of hot enamel, which influenced the formation and development of the author’s artistic enamel is highlighted. This analysis demonstrates the potential of the hot enamel technique in a wide range of artistic works, both in its dimensions (from miniature to monumental works) and its range of subjects and styles. Hot enamel has proven itself to be a versatile medium and is being embraced by creative artists in search of new materials and techniques. Hot enamel in Russia was influenced both by international artistic developments and by Russian trends and stylistic explorations, finding inspiration in other types of art and the contemporary art scene.


Keywords: hot enamel, phenomenon, artistic enamel, decorative art

References
[1] Komelova, G. N. (1995). Russkaya miniatyura na emali 18–nachala 19 veka. Saint-Petersburg: Iskusstvo- SPB.

[2] Gilodo, A. A. (1996). Russkaya emal’: vtoraya polovina 19 – 20 vek: Al’bom. Moscow: Beresta.

[3] Zhevlakova, O. (2009). Yu. Sovetskaya emal’ 60–70-kh godov. Tipologiya i khudozhestvennoye svoyeobraziye. Dekorativnoye iskusstvo i predmetno-prostranstvennaya sreda. Vestnik MGKHPU, issue 4, pp. 71–82.

[4] Aleksandrova, Y. A. (2017). Formirovaniye tsentra khudozhestvennoy emali v SPGKHPA im. A. L. Shtiglitsa: istoki, etapy razvitiya. Istoricheskiye, filosofskiye, politicheskiye i yuridicheskiye nauki, kul’turologiya i iskusstvovedeniye. Voprosy teorii i praktiki, vol. 3, issue 77, pp. 16–9.

[5] Aleksandrova, Y. A. (2018). Tvorchestvo A. Yu. Talashchuka kak khudozhnika-emal’year. Istoricheskiye, filosofskiye, politicheskiye i yuridicheskiye nauki, kul’turologiya i iskusstvovedeniye. Voprosy teorii i praktiki, issue 7, pp. 111–118.

[6] Finift-NHP. Fabrika rostovskoy finifti – Istoriya fabriki Rostovskaya finift’. Retrieved April 20, 2019 from http://finift-nhp.ru/istoriya-fabriki-rostovskaya-finift/.

[7] Bibikova, I. (1966) Dekorativno-prikladnoye iskusstvo. In Vseobshchaya istoriya iskusstv, vol. 6, book 2.

[8] Yaroslava, M. Biblioteka ukrainskogo iskusstva. Retrieved April 23, 2019 from http://uartlib.org/ ukrayinski-hudozhniki/yaroslava-muzika/.

[9] Symposion. Retrieved April 24, 2019 from https://symposion.hu/muvesztelepek/kecskemetizomancmuveszeti- alkotomuhely/.

[10] Il’їna T. (Ed.) (2013). II mіzhnarodniy festival’ yemalі v Ukraїnі. Pam’yatі Yulії Boroday: katalog vistavki. Kiїv: Fenix.

[11] Ivanovskaya E. B. (Ed) (1994). Dekorativnoye iskusstvo. Emal’, tekstil’, keramika, metall, finift’, yuvelirnoye iskusstvo: katalog Mezhdunarodnoy vystvyki. Peterhof, Saint-Petersburg, Yaroslavl: EMALIS International Creative Centre.

[12] Novoselova N. (Ed) (2009). Sovremennoye emal’yernoye iskusstvo. Saint-Petersburg: Mir metalla.

[13] Vdovkin, N. M. (2008). Goryachaya emal’ i yeyo primeneniye v tvorchestve khudozhnikov. Dizayn-revyu, issue 12, pp. 61–66.

[14] Karikh, A. A. (2001). Katalog. Vystavka proizvedeniy. Yaroslavl.

[15] Rybovexpo. Retrieved April 24, 2019 from https://www.rybovexpo.ru/vdovkin-nikolai/.

[16] (2000). Pervaya Ural’skaya vystavka dekorativnogo iskusstva. Exhibition Poster. Yekaterinburg.